Looking at Hugh Ross’s Book (2023) “Rescuing Inerrancy” (Part 25 of 25)
0211 This examination adds value to Ross’s project in five ways.
First, it introduces a history that encompasses the modern conundrum presented in this text.
Hugh Ross and the Reasons To Believe Team are actors in a theodrama that is at least 800 years old.
Plus, that theodrama is about to undergo a pivot that is captured in the following figure.

0212 Yes, the redemption2c offered by the party that exalts grace3c over nature3c and the protocols2c offered by the party that exalts nature3c over grace3c, are now entangled because, on the content level, the Creation Story is a sign of the evolutionary record and the Primeval History is an insider’s view of the start of our current Lebenswelt.
0212 Second, this examination offers a semiotic way to view what Ross is trying to articulate. Theologians should be interested in sign-relations. Scientists take sign-relations for granted. Ross’s book is titled as if a scientific defense will rescue Biblical inerrancy. This makes no sense unless its taken from a semiotic point of view. Inerrancy draws the Bible, especially Genesis 1-11, into hitherto unimagined triadic relations with scientific inquiry. The empirio-schematics of artistic concordism and the first singularity are variations of what ought to be for the Positivist’s judgment.
When, you think about it, signs tend to share certain characteristics with the term, “inerrancy”. Every sign-vehicle stands for its sign-object in regards to its sign-interpretant. Even if the interpretant is camouflage, the sign-relation purports to be flawless and honest in its own way. Indeed, all signs are “inerrant” in the eyes of God.
0213 Third, this examination offers a way of appreciating how Ross’s efforts aesthetically derive from the Positivist’s and the empirio-schematic judgments. Indeed, Ross’s project towers head and shoulder above other projects in the Venn diagram of science and religion because his aesthetics are one step away from the ways that scientists operate.
0214 Fourth, this examination offers a slightly different version of concordism than Ross. Mah’s artistic version may assist Ross’s moderate version in future research. In particular, I pray for a science book on the Earth’s evolutionary history to accompany Exercises in Artistic Concordism. Wouldn’t that be fantastic?
Fifth, this examination offers a wonderful endpoint, in the form of a label for the single actuality implied by the intersection of redemption2c and protocols2c. The early scholastics knew this label well. And now, perhaps, the following dyad will be born again.

0215 My thanks to Hugh Ross and this team at Reasons To Believe for publishing a book worthy of examination.