{"id":9957,"date":"2025-12-02T20:00:00","date_gmt":"2025-12-02T20:00:00","guid":{"rendered":"https:\/\/www.raziemah.com\/blog\/?p=9957"},"modified":"2025-10-09T15:47:19","modified_gmt":"2025-10-09T15:47:19","slug":"looking-at-igor-pilshchikov-and-mikhail-trunins-article-2016-the-tartu-moscow-school-of-semiotics-part-26-of-27","status":"publish","type":"post","link":"https:\/\/www.raziemah.com\/blog\/?p=9957","title":{"rendered":"Looking at Igor Pilshchikov and Mikhail Trunin&#8217;s Article (2016) &#8220;The Tartu-Moscow School of Semiotics&#8221; (Part 26 of 27)"},"content":{"rendered":"\n<p>0337 Sections seven and eight (7 &amp; 8) offer three ideations that dwell within the ambiguity depicted above.<\/p>\n\n\n\n<p>Section seven (7) first discusses Poldmae&#8217;s theory of verse.<\/p>\n\n\n\n<p>0338 Jaak Poldmae (1942-1979) considers poetry in the Slavic and German civilizations.&nbsp;&nbsp;To me, it looks like his interest in metrics goes with the signifier and his interest in poetics associates to the signified.&nbsp;&nbsp;Once these substitutions are made, the following derivative interscope is readily completed from the authors&#8217; brief description of verse theory.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide75.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide75.png\" alt=\"\" class=\"wp-image-9958\" srcset=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide75.png 600w, https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide75-300x200.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p>0339 While Poldmae may come unnervingly close to&nbsp;<em>the old formalist habit of finding the literary devices,<\/em>&nbsp;the above interscope is not&nbsp;<em>a mere collection of mechanisms<\/em>.&nbsp;&nbsp;<em>Verse theory<\/em>&nbsp;is&nbsp;<em>an organic whole<\/em>.&nbsp;&nbsp;Plus,&nbsp;<em>the perspective-level category-based nested form<\/em>&nbsp;looks like&nbsp;<em>a clone of Marxist theory<\/em>.<\/p>\n\n\n\n<p>0340 To me, this begs the question, asking, &#8220;What happened to the content and situation levels of Marxist theory?&#8221;<\/p>\n\n\n\n<p>Did they somehow deplete themselves?<\/p>\n\n\n\n<p>Plus, the rubberstamper is uncharacteristically uninterested, because Poldmae asserts that poetry<sub>2c<\/sub>&nbsp;somehow corresponds to&#8230; or reveals&#8230; or depicts&#8230; the human condition<sub>2c<\/sub>.<\/p>\n\n\n\n<p>Isn&#8217;t that what any Slav already appreciates?<\/p>\n\n\n\n<p>0341 Section seven (7) next discusses the phenomenon&#8230; er&#8230; model substituting for the noumenon (?)&#8230; of intertextuality.&nbsp;&nbsp;Intertextuality delocalizes the poet, because the poet produces a text in relation to other (prior) texts.&nbsp;&nbsp;In a sense, a contemporary poet joins the conversation of other poets.&nbsp;&nbsp;The contemporary poet responds to the poetics and the metrics of&#8230; what?&#8230; civilization, past and present?<\/p>\n\n\n\n<p>0342 Uh oh, remember Saints Cyril and Methodius?<\/p>\n\n\n\n<p>Where did they come from?<\/p>\n\n\n\n<p>The Byzantine civilization is a fusion of Greek and Jewish civilizations, made possible by the Christianization of the Roman Empire.<\/p>\n\n\n\n<p>0343 Unlike America, Russia is not made of new cloth.&nbsp;&nbsp;The Slavic civilization is cut from old cloth, over and over again, in a theodrama that the American Empire simply wants to ignore.<\/p>\n\n\n\n<p>Oh, I should say, &#8220;the USSA&#8221;?<\/p>\n\n\n\n<p>0344 The term &#8220;intertextuality&#8221; is a beautiful Platonic term, offered by Julie Kristeva, a French linguist, that serves to cover over the perspective-level actuality of the following three-level interscope, in such a manner as to comport with the actuality<sub>2c<\/sub>&nbsp;of Marxist theory<sub>3c<\/sub>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide76.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide76.png\" alt=\"\" class=\"wp-image-9959\" srcset=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide76.png 600w, https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2025\/10\/Slide76-300x200.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p>0345 To appreciate the rhizomic character of intertextuality, an inquirer may consider Razie Mah&#8217;s blog for August 2025, titled Looking at&nbsp;<em>Slavoj Zizek&#8217;s Book (2024) &#8220;Christian Atheism&#8221;<\/em>.<\/p>\n\n\n\n<p>Zizek is a philosopher, not a poet, but he sounds like a poet some of the time.&nbsp;&nbsp;He writes like a poet, even though he doesn&#8217;t know it.&nbsp;&nbsp;Only a poet would make &#8220;Christ&#8221;, the adjective, and our human condition, the noun.&nbsp;&nbsp;Isn&#8217;t that what the story of the Garden of Eden tells us?&nbsp;&nbsp;We have been kicked out of the Garden because we can now challenge God Himself.&nbsp;&nbsp;Now, outside of His Domain, we are &#8220;a-&#8221; (&#8220;without&#8221;) &#8220;-theists&#8221; (&#8220;God&#8221;).<\/p>\n\n\n\n<p>Does Zizek suggest that Christian Atheism can stand in for&#8230; material arrangements<sub>2c<\/sub>?<\/p>\n\n\n\n<p>0346 As if to confirm, Zizek concludes with a reflection on Alexandr Blok&#8217;s poem,&nbsp;<em>The Twelve,<\/em>&nbsp;written in 1918, depicting Christ as a holy ghost leading twelve Red Guards on their patrol of revolutionary Petrograd.&nbsp;&nbsp;&nbsp;Of course, Soviet authorities later replaced the word, &#8220;Christ&#8221;, with &#8220;sun&#8221;, because they were too embarrassed to substitute in &#8220;material arrangements&#8221;.<\/p>\n\n\n\n<p>0347 Zizek aside, intertextuality and verse theory both cohere to the reality of Lotman&#8217;s and Jakobson&#8217;s legacy.&nbsp;&nbsp;Plus, they do not cross&nbsp;<em>the line that Lotman&#8217;s derivative interscope tunnels under<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>0337 Sections seven and eight (7 &amp; 8) offer three ideations that dwell within the ambiguity depicted above. Section seven (7) first discusses Poldmae&#8217;s theory of verse. 0338 Jaak Poldmae (1942-1979) considers poetry in the Slavic and German civilizations.&nbsp;&nbsp;To me, it looks like his interest in metrics goes with the signifier and his interest in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[418],"tags":[],"class_list":["post-9957","post","type-post","status-publish","format-standard","hentry","category-article-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Looking at Igor Pilshchikov and Mikhail Trunin&#039;s Article (2016) &quot;The Tartu-Moscow School of Semiotics&quot; (Part 26 of 27) - An Archaeology of the Fall<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.raziemah.com\/blog\/?p=9957\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Looking at Igor Pilshchikov and Mikhail Trunin&#039;s Article (2016) &quot;The Tartu-Moscow School of Semiotics&quot; (Part 26 of 27) - An Archaeology of the Fall\" \/>\n<meta property=\"og:description\" content=\"0337 Sections seven and eight (7 &amp; 8) offer three ideations that dwell within the ambiguity depicted above. 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