{"id":8253,"date":"2024-10-21T08:00:00","date_gmt":"2024-10-21T08:00:00","guid":{"rendered":"https:\/\/www.raziemah.com\/blog\/?p=8253"},"modified":"2024-06-25T21:34:03","modified_gmt":"2024-06-25T21:34:03","slug":"looking-at-n-j-enfields-book-2022-language-vs-reality-part-10-of-23","status":"publish","type":"post","link":"https:\/\/www.raziemah.com\/blog\/?p=8253","title":{"rendered":"Looking at N. J. Enfield&#8217;s Book (2022) &#8220;Language vs. Reality&#8221; (Part 10 of 23)"},"content":{"rendered":"\n<p>0920 After all, what is a frame?<\/p>\n\n\n\n<p>A frame, like a door frame?<\/p>\n\n\n\n<p>Yes, I suppose a door frame will do.&nbsp;&nbsp;This door frame is composed of immaterial elements, a normal context and potential, that prime&nbsp;<em>the person engaging in the content-level hypomorphic sign-relation<\/em>&nbsp;to pass through&nbsp;<em>a portal called &#8220;reference&#8221;.<\/em><\/p>\n\n\n\n<p>0921 Here is a picture.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide25-4.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide25-4.png\" alt=\"\" class=\"wp-image-8254\" srcset=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide25-4.png 600w, https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide25-4-300x200.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p>0922 In&nbsp;<em>the single-level sign-relation that I associate to Enfield&#8217;s argument,<\/em>&nbsp;spoken words<sub>2a<\/sub>&nbsp;(sign-vehicle, SV) stands for a reference<sub>2a<\/sub>&nbsp;(sign-object, SO) in regards to the normal context of what is happening<sub>3a<\/sub>&nbsp;operating on the potential of &#8216;something happening&#8217;<sub>1a<\/sub>&nbsp;(sign-interpretant, SO).<\/p>\n\n\n\n<p>0923 Typically, the SV is on one level (say, content) and the SO is on the adjacent higher level (say, situation) along with the SI (also on situation level).&nbsp;&nbsp;In this standard formulation, which is consistent with&nbsp;<em>the historical path leading to the identification of the sign as a triadic relation,<\/em>&nbsp;sign-relations couple adjacent levels of an interscope.&nbsp;&nbsp;In short,&nbsp;<em>the sign-relation<\/em>&nbsp;is one way for&nbsp;<em>content<\/em>&nbsp;to alter&nbsp;<em>a situation<\/em>.<\/p>\n\n\n\n<p><em>The above hypomorphic sign-relation<\/em>&nbsp;may be seen, in a nascent expression, in&nbsp;<em>Looking at Daniel Deacon&#8217;s Book (2017) &#8220;From Bacteria, to Bach and Back&#8221;,<\/em>&nbsp;appearing in Razie Mah&#8217;s blog in December 2023.&nbsp;&nbsp;The meme is precisely what &#8220;frame&#8221; versus &#8220;prime&#8221; describes.&nbsp;&nbsp;An entire sign-relation squishes into a single level.&nbsp;&nbsp;In short, here is a sign-relation where style alters content.<\/p>\n\n\n\n<p>0924 At this point in the text, Enfield digresses into a passage from Joseph Conrad&#8217;s 1907 novel,&nbsp;<em>The Secret Agent,<\/em>&nbsp;that does not exactly depict the following content.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide26-3.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide26-3.png\" alt=\"\" class=\"wp-image-8255\" srcset=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide26-3.png 600w, https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide26-3-300x200.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p>What do I mean by the word, &#8220;exact&#8221;?<\/p>\n\n\n\n<p>Well, the above statements may be taken quite literally, leading people to conclude that Mrs. Verloc should be put on trial for murder.<\/p>\n\n\n\n<p>0925 However, this is not how Conrad frames the passage.<\/p>\n\n\n\n<p>Enfield revels in&nbsp;<em>the way that Conrad uses the active voice<\/em>&nbsp;<em>and the passive voice<\/em>&nbsp;in such a masterful way that&nbsp;<em>people who read the passage<\/em>&nbsp;wonder whether Mrs. Verloc is guilty of the crime.<\/p>\n\n\n\n<p>0926 How so?<\/p>\n\n\n\n<p>In&nbsp;<em>Conrad&#8217;s incredibly artistic weave of active and passive voice,<\/em>&nbsp;another figure enters the dance, so to speak.&nbsp;&nbsp;Stevie, the brother of Mrs. Verloc, is dead.&nbsp;&nbsp;And, I suspect, right before dinner, Mrs. Verloc finds out that Mr. Verloc is the reason why Stevie is dead.&nbsp;&nbsp;So, perhaps, during the entire meal, Mrs. Verloc anticipates Mr. Verloc to say something, anything, to confirm that the report of Mr. Verloc&#8217;s responsibility is not true.&nbsp;&nbsp;But, he does not.<\/p>\n\n\n\n<p>After all, Mr. Verloc has no regrets and is not even thinking of&nbsp;<em>&#8220;business&#8221;<\/em>.&nbsp;&nbsp;But, Mrs. Verloc? She has regrets.&nbsp;&nbsp;Incredible regrets.&nbsp;&nbsp;However, she cannot leave her body and say, &#8220;Let me be free of this nightmare.&#8221;&nbsp;&nbsp;No, she loves her brother, Stevie, and is broken hearted to see him go.&nbsp;&nbsp;So,&nbsp;<em>what happens next<\/em>&nbsp;is right there in Conrad&#8217;s text, but it is so well scripted that Dr. Enfield does not even see it.<\/p>\n\n\n\n<p>0927 Here is&nbsp;<em>how Conrad frames the incident<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide27-3.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide27-3.png\" alt=\"\" class=\"wp-image-8256\" srcset=\"https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide27-3.png 600w, https:\/\/www.raziemah.com\/blog\/wp-content\/uploads\/2024\/06\/Slide27-3-300x200.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p>0928 No one in a jury would convict Mrs. Verloc.<\/p>\n\n\n\n<p>She has nothing.&nbsp;&nbsp;No husband.&nbsp;&nbsp;No brother.&nbsp;&nbsp;All because of&nbsp;<em>a conflict between the two people whom she loves<\/em>.&nbsp;&nbsp;Mr. Verloc kills Stevie.&nbsp;&nbsp;Now, Stevie kills Mr. Verloc.&nbsp;&nbsp;What about Mrs. Verloc, both victim and conduit?&nbsp;&nbsp;She is as good as dead.&nbsp;&nbsp;Isn&#8217;t she?<\/p>\n\n\n\n<p>That is&nbsp;<em>what regular folk sense<sub>2b<\/sub><\/em>.<\/p>\n\n\n\n<p>Her deed<sub>2a<\/sub>&nbsp;is overshadowed by her doom<sub>2b<\/sub>.<\/p>\n\n\n\n<p>0929 But, this is not&nbsp;<em>what Enfield senses<sub>2b<\/sub><\/em>.<\/p>\n\n\n\n<p>In&nbsp;<em>a profound testament to the cluelessness of the scientific mind,<\/em>&nbsp;Enfield attributes&nbsp;<em>the reason why people respond differently to the two versions,<\/em>&nbsp;the just-the-facts version and Conrad&#8217;s version, to&nbsp;<em>Joseph Conrad&#8217;s masterful use of linguistic framing<\/em>.<\/p>\n\n\n\n<p><em>Possession by disembodied souls<\/em>&nbsp;is apparently a step too far.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>0920 After all, what is a frame? A frame, like a door frame? Yes, I suppose a door frame will do.&nbsp;&nbsp;This door frame is composed of immaterial elements, a normal context and potential, that prime&nbsp;the person engaging in the content-level hypomorphic sign-relation&nbsp;to pass through&nbsp;a portal called &#8220;reference&#8221;. 0921 Here is a picture. 0922 In&nbsp;the single-level [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[417],"tags":[],"class_list":["post-8253","post","type-post","status-publish","format-standard","hentry","category-book-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Looking at N. J. 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