{"id":1185,"date":"2014-05-30T01:47:49","date_gmt":"2014-05-30T01:47:49","guid":{"rendered":"http:\/\/raziemah.com\/blog\/?p=1185"},"modified":"2014-10-07T23:01:01","modified_gmt":"2014-10-07T23:01:01","slug":"man-and-sin-by-piet-schoonenberg-1964-1-5f2","status":"publish","type":"post","link":"https:\/\/www.raziemah.com\/blog\/?p=1185","title":{"rendered":"Man and Sin by Piet Schoonenberg (1964) 1.5F2"},"content":{"rendered":"<p>[What art?\u00a0 How about the three movies series entitled <i>The Matrix<\/i>?<\/p>\n<p>Consider the quandary facing the Architect of the Matrix. The fact that there is an equal sign (\u201c=\u201d) in the Architect\u2019s self-construction means that a remainder on the one side of its equation must be balanced with a remainder on the other side.<\/p>\n<p>The imbalance in the Matrix consists of one remainder destabilizing the other remainder and <i>visa versa<\/i>.\u00a0 The remainder itself is generated by acquisitive mimesis.\u00a0 People choose to leave the Matrix.\u00a0 However, once the remainder is balanced on the other side of the Architect\u2019s equations, conflictual mimesis begins.\u00a0 The programs themselves want to escape the Matrix.\u00a0 They do not want to be deleted.\u00a0 They want freedom.<\/p>\n<p>The initial destabilization stems from the inability to predict human action \u2013 that is \u2013 the acts that situate human choice \u2013 once the human chooses to be free.\u00a0 If a person chooses to belong to the Matrix, then the architect can mathematically account for all the person\u2019s behaviors.\u00a0 If not, then a remainder ripples through the Matrix, small but compounding with other ripples, eventually precipitating the crisis depicted in the movies.<\/p>\n<p>So the question becomes: Are the Architect\u2019s equations equivalent to mortal sins?<\/p>\n<p>The answer is: The Architect is composed of the equations.\u00a0 Can equations commit mortal sins?\u00a0 No, but they can animate them.<\/p>\n<p>By analogy, angels are what they do.\u00a0 And what do they do?\u00a0 They symbolize order.\u00a0 They cannot commit mortal sins, but they can animate them, just as the Architect animates a Matrix of total deception based on mathematical equivalence.]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[What art?\u00a0 How about the three movies series entitled The Matrix? Consider the quandary facing the Architect of the Matrix. The fact that there is an equal sign (\u201c=\u201d) in the Architect\u2019s self-construction means that a remainder on the one side of its equation must be balanced with a remainder on the other side. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","hentry","category-the-science-of-original-sin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Man and Sin by Piet Schoonenberg (1964) 1.5F2 - An Archaeology of the Fall<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.raziemah.com\/blog\/?p=1185\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Man and Sin by Piet Schoonenberg (1964) 1.5F2 - An Archaeology of the Fall\" \/>\n<meta property=\"og:description\" content=\"[What art?\u00a0 How about the three movies series entitled The Matrix? 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